Page 68 - Msingi Afrika Magazine Issue 14
P. 68

Leadership
          Art & Culture










































                             afrikan masquerade dancers


                  GULE-WAMKULU



                                                  By Abigirl Phiri, Zimbabwe.




                    frican masquerades have   one of them is solely by initiation.   century in Europe. Carnival was a
                    a fearsome reputation    From Mali to Nigeria, Tanzania to   time of saying goodbye to meat by
                    in communities across    Zimbabwe, Ghana to the Demo-       indulging in all the food and wine
          Athe continent, and in the         cratic Republic of Congo or Zambia   they could before Lent. Rich and
          Diaspora, because they are said to   or South Afrika these masquerades   poor dressed in masks and mingled
          have a direct connection to the spirit   have been a part of Afrika’s social   freely, while parades and dances
          world, and anything that connects   fabric for generations. The key is the   were held in the street. Another
          this realm to that unseen and mys-  mask and the costume worn to both   version says that the idea of dress-
          terious one often sparks curiosity,   represent the spirit or deity they de-  ing up for spring came from carrus
          fascination and even dread. Be it   sire to portray and to conceal their   navalis, the festival of Isis. This was
          by day or night, at harvest time, cir-  identities. Some are even known use   an Ancient Egyptian festival in Af-
          cumcision, nuptials or even during   a device to disguise their voices. For   rica, where, they would carry images
          a funeral, the masquerades of all   them or their family members to   of Isis to the sea to bless the first
          shapes, sizes and colors come out to   expose their identities is said to be a   sailors setting out after winter. They
          dance their dances for sacrifices or   thing of shame.                were accompanied by a parade of
          pure entertainment. They are said to                                  people dressed in costumes depict-
          be representations of ancestral spir-  Masquerades and dances are also a   ing animals and other sacred garb.
          its, nature spirits or even deities. The   part of western culture and began   (greyjournal.net) These festivals
          members of these secretive groups   with the observance of the carne   evolved into masquerade balls where
          are strictly male and admission to   vale (carnival) season in the 15th   one dresses up in elegant clothing


        68        |   we tell the true afrikan story
   63   64   65   66   67   68   69   70   71   72   73