Page 72 - Msingi Afrika Magazine Issue 4
P. 72

ucated audience and still make     What do you guys have as
          There are lots  of  young          a living out of it. It’s growing.  advice for young guys like
          people  walking  away from                                            you on how to deal with the
          the  Afrikan aspect of  arts,      Art with our forefathers           circumstances and  situa-
          performances and all  that.        didn’t begin with a thought        tions that come with being
          What  do  you  guys  think         towards rewards. They did          an artist and being a poet,
          about that?                        arts, poetry, music for com-       based on your own experi-
          Warris: I am a deep follower of    munity  unification.  Would        ences?
          music, of Afrikan culture. What I   you say  that the quest for       Moses:  I would just tell them,
          think the problem is that a lot of   payment has watered down         trust your instincts, whatever
          people want to embrace what’s      the  originality  of  Afrikan      happens around you, just try to
          hot, what’s going to sell them in-  arts?                             keep the real you, don’t let these
          ternationally, erroneously  being   Warris: The landscape changed     situations change you.
          told that what is Afrikan doesn’t   a lot. Economically before these   Quentin:  Art is something di-
          sell. A lot of people want to have   people came, we were stable,     vine, music is something divine,
          a style that brings  money fast,   so someone  could afford to do     so you always have to be in the
          they do not want to conserve       art  as entertainment, but even    zone and if  you go out  of  the
          what is ours they want to go with   then there were musicians,        zone it’s because of  your own
          what’s popping: sex, nudity and    people  who were doing it as a     doings, find your way back.
          obscene language which is not      standing  thing. I always like to   Mark:  You have  to believe  in
          Afrikan.                           say, if your art is based on origi-  yourself.  You will get messag-
          Spoken  word is pretty new in      nality of passion, not just money,   es that you can’t do this… but if
          Kenya, people who are doing        it is going to make you money.     you’re going to fall for that mes-
          it are few and the money is not    The world we live in, you need     sage that you can’t do it… it will
          that  much.  Spoken word is  a     money  to reach more people.       never work. And one thing as an
          very conscious form of art, and    Maybe there are people who are     Afrikan, Quentin told me, in any-
          there’s a threshold for you to do   going  overboard  but there are   thing you do you must incorpo-
          spoken word, you have to have      still artists who are really about   rate culture in it.
          a message that is strong, that is   the message, who are about be-    Mark:  Believe in you, embrace
          packaged artistically.             ing an artist for the calling of it,   culture. Believe in God!
                                             for the spirit and that’s who we   Quentin:  Culture  is the back-
          I believe spoken word is           try to be in Affiliated.           bone of  us  as Afrikans,  so  the
          not new in Afrika, it always       Quentin:  Commercialization of     moment you let go of culture is
          existed in the form of oral        art  to  me is  something I  can’t   the moment you lose yourself,
          arts, though  maybe now  it        refuse, that’s where we’ve got-    you lose your Afrikanism. It’s not
          has been reintroduced in a         ten to as a society. I need mon-   just about color, it’s about the
          new form but is something          ey to produce the songs, so I      things you do, the things you
                                             have commercialized my art be-     practice so in anything you do,
          we always had.
                                             cause I have invested in it, but   man, let culture be the rubber-
          Warris:  I  think  you’re  right  be-
                                             the money should never be the      stamp. Culture should be the
          cause you see recently for us
          those who were born after inde-    priority in the first place. If what   base of whatever you’re doing.
                                             you’re selling is good, I believe
          pendence we found poetry that
                                             it will sell itself you don’t even
          was written, but before that there
                                             have to go down with the hype.
          were narratives. I was in drama
                                             How deep does this fire go, or is
          in high school, you go to tell a
          story with actions and  emotion    it just a passing phase?
                                             Quentin:  We are planning on
          and deliver it to people like the
                                             taking this full time,  but that
          old form of storytelling. I think
                                             doesn’t mean letting go of other
          that is what is being rekindled by
                                             things, you can multi-task, but
          poetry but now we’re bringing it
          mainstream where I  can pack-      art is the core.
          age it and sell it to a western ed-
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