Page 41 - Msingi Afrika Magazine Issue 13
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MY  AFRIKA




          ers, Kuti got tired of the European   pouch or pocket.” As per Lindsay   in the flesh Fela was to the Nige-
          education and dropped out of Trin-  Barret’s 1998 narration on Fela Kuti:   rian government, he still forged
          ity College to form his own band,   Chronicle of A Life Foretold, Kuti   ahead with his activist music when
          which went by the name, Koola      was often quoted saying “I will be   he came back to Nigeria during the
          Lobitos. It turned out that this   the master of my own destiny and   nation’s first civilian rule in 13 years.
          made him a prominent name as a     will decide when it is time for death   Kuti formed his own political party-
          trumpet player in the London music   to take me.” His mother likewise   Movement of the People (MOP),
          scene for Afrikan dance through his   de-Anglicized her family name of   and renamed his band to ‘Egypt
          highlife- influenced jazz band. When   ‘Ransome’ and replaced it with   80’. Some of his unconventional
          he went back to Nigeria, he started   ‘Anikulapo.’                    tracks included: ‘Coffin for Head of
          a generic version of Koola Lobitos                                    State’, ‘I.T.T (International Thief
          that was significantly influenced by   Whenever one attempts to think of   Thief)’, and ‘Teacher Don’t Teach
          the James Brown-style singing of   any musical artist whose journey is   Me Nonsense’. As the 80’s ended,
          Geraldo Pino from Sierra Leone.    laced with thought provoking ide-  Fela recorded blistering attacks
                                             ologies of Afrika, Fela Kuti usually   against Nigeria’s corrupt military
          It is what happened during his tour   comes to mind. Through his music,   government as well as broadsides
          with Koola Lobitos band to Los     he vehemently tore into Nigeria’s   aimed at Margaret Thatcher and
          Angeles, California in 1969 that rad-  dictatorial approach by its military   Ronald Reagan (most abrasively on
          ically shaped Kuti’s musical career   and African racial oppression by the   the album ‘Beasts of No Nation’).
          for good. He came across Sandra    western countries. This is something   His clenched fists above the head
          Isidore who became a good friend,   that put him in a very precarious   salute soon became a trademark for
          and introduced him to the writings   situation, at the expense of his own   African revolution, activism and
          and politics of Malcom X, Eldridge   safety and that of his family as well.   Pan-Africanism.
          Cleaver and by extension the Black
          Panthers and other proponents of   The Kalakuta Republic massacre is   In spite of the continuous raids,
          Black Nationalism and Afrocen-     one of those unforgettable incidents   inhumane assaults, losses of proper-
          trism. Fela then rebranded his Koola   that he painfully suffered in 1977 on   ty and prolonged unlawful incarcer-
          Lobitos band to Nigeria 70. Within   the backdrop of his massive an-  ation, Fela’s spirit did not break and
          the period of his imminent return   ti-military hit album called ‘Zom-  his popularity increased, often to the
          to Nigeria, he recorded songs by   bie’. In this album, he described   irritation of his oppressors.  At the
          the name ’69 Los Angeles Sessions,   Nigerian soldiers as a bunch of   time of his death, in 1997, he was
          in which he would become more      robots with no spine, waiting on   struggling to remain strong regard-
          politically explicit and critical of   orders from above as they marched   less of his failing health. Yet still, he
          the oppression of the powerless    like toy soldiers. Consequently, on   never compromised on expressing
          throughout the world.              the afternoon of 18th February, a   the truth.
                                             platoon of 1,000 military soldiers   Take home lessons:
                                             descended upon the Kalakuta Re-    There are some important lessons
          Upon returning to Nigeria, Fela    public violently attacking its occu-  regarding Fela Kuti’s life that per-
          founded a communal com-            pants, raping women and torching   tain to the Afrikan transformation
          pound-cum-recording-studio and     the entire house to the ground. The   agenda:
          rehearsal space that he called the   wildest shocker of all these was that
          Kalakuta Republic, and a night club   Fela Kuti’s 77 year old mother was   1. Talent Pays
          called Shrine. He boldly pronounced   thrown from her bedroom window   Yes talent is expensive but in the
          himself as the president of Kalakuta   on second floor which eventually led   long run it is highly rewarding both
          Republic and declared its indepen-  to her demise after being in a coma   monetarily and emotionally. Fela
          dence from the state ruled by the   with fatal injuries. On the other   Kuti’s parents wanted him to be a
          military junta. Fela Kuti, the fearless   hand, Fela was brutally beaten un-  doctor just as the norm was in his
          tornado of a man, was far from     conscious and nearly at death’s door,   family, but that did not augur well
          done as he went ahead to drop his   while most of its 60 occupants were   with him. Fela innately felt that
          given middle name ‘Ransome’ which   hospitalized. This tragedy made Fela   he was born a musical artist with
          he believed to be a slave name, and   and his band retreat briefly into exile   a higher purpose. To his parents’
          took the name ‘Anikulapo’ which    in Ghana.                          disappointment he changed colleges
          means “he who carries death in his   As the stubborn and painful thorn   almost as soon as he went to Lon-



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