Page 70 - Msingi Afrika Magazine Issue 5
P. 70

AR TS PERSONALITY

           THE SOUND AND COLORS FROM AFRICA




                   4 year old Brian (Yas-    but one guy I turned away was
                   sin) Bwire is practicing   later killed because of his in-
                   the art of responsibility.   volvement in crime. I  blamed
                   Having  seen  firsthand   myself. I wish I could  have
         2the effects of not taking          spared time for him, to be able
          care of one’s brother or sister, he   to keep him on the right track. It
          set out to establish a safe space   was something that haunted me
          in Kibra (formerly known as Kib-   each and every day and I came
          era), where youth can find new     to realize that this is something
          hope and direction in life. He is   that needs to be addressed. We
          also working on a project to help   need to be responsible  for our
          get the Nubian  community in       very young brothers and sisters.
          Kenya recognized as a Kenyan       If  they admire whatever you’re
          tribe, by documenting their cul-   doing and they want to be there
          ture and stories to help  bridge   with you and they want you to
          gaps in understanding and cre-     teach them; it’s your responsibil-
          ate brotherhood. He says, “I be-   ity to do so.
          lieve holding each other’s hands   Eventually I  convinced a friend
          will take us far.”                 of mine to set up a film produc-
                                             tion company, but along the way
          Please  tell us about your-        I made some choices that
          self                               cost me my re-
          My name is Yassin Bwire; I’m a     lationship
          film maker and photographer.       with Zindua,
          Born, raised and living in
          Kibra, I attended  training
          immediately after high school in
          2014 at a film institute called Fil-
          amu Juani. I later graduated to
          join a company under the same
          institute known as Zindua.
          Filamu Juani and Zindua are
          where I learnt the skills that I
          have today. I found the pro-
          cess of training that I was un-
          dertaking to be one that would
          be  beneficial  for  people  in  the
          slum and  I knew  I wanted  to
          open  a  film  school  in  Kibra  to
          help the youth in the slum
          engage  in positive  activ-
          ities.
          I  worked  on  some  film
          projects and was doing
          odd jobs to  keep myself
          busy and in the process,
          some of my friends
          started  to  ask me  to
          show them how to
          operate a camera. I
          didn’t have the equip-
          ment or time to do it,
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